{"id":404,"date":"2026-01-08T09:12:25","date_gmt":"2026-01-08T09:12:25","guid":{"rendered":"https:\/\/newsliked.online\/?p=404"},"modified":"2026-01-08T09:12:25","modified_gmt":"2026-01-08T09:12:25","slug":"9-movies-that-are-remakes-of-remakes","status":"publish","type":"post","link":"https:\/\/newsliked.online\/?p=404","title":{"rendered":"9 Movies That Are Remakes of Remakes"},"content":{"rendered":"<p id=\"inline-text-0\" class=\"mt-[18px] md:mt-0 mb-[18px] [&amp;_a]:text-primary my-f-1\">If you\u2019re at the theater this weekend and happen to see the marquee for the Roman epic\u00a0<em>Ben-Hur<\/em>, you might think studios are dry on ideas. Of course, some theater-goers might have felt the same way in 1959, when the Charlton Heston-starring\u00a0<em>Ben-Hur<\/em>\u00a0was released: That \u201coriginal\u201d was a remake of a 1925 silent film,\u00a0<em>Ben-Hur: A Tale of the Christ<\/em>, and both had\u00a0<a href=\"http:\/\/www.sfchronicle.com\/movies\/article\/Ben-Hur-race-is-on-Huston-takes-on-9134299.php\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.sfchronicle.com\/movies\/article\/Ben-Hur-race-is-on-Huston-takes-on-9134299.php\" aria-label=\"chariot races - open in a new tab\" data-uw-rm-ext-link=\"\">chariot races<\/a>\u00a0that wowed audiences of two different generations. Check out some other well-known films that could be classified as three-makes.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-405\" src=\"https:\/\/newsliked.online\/wp-content\/uploads\/2026\/01\/612398368_1296700182486480_794776440112991321_n-242x300.jpg\" alt=\"\" width=\"242\" height=\"300\" srcset=\"https:\/\/newsliked.online\/wp-content\/uploads\/2026\/01\/612398368_1296700182486480_794776440112991321_n-242x300.jpg 242w, https:\/\/newsliked.online\/wp-content\/uploads\/2026\/01\/612398368_1296700182486480_794776440112991321_n.jpg 516w\" sizes=\"auto, (max-width: 242px) 100vw, 242px\" \/><\/p>\n<h2 id=\"inline-text-1\" class=\"scroll-mt-24 my-[18px] [&amp;_a]:text-primary my-f-1\">1.\u00a0<em>Night of the Living Dead\u00a0<\/em>(2006)<\/h2>\n<p id=\"inline-text-2\" class=\"my-[18px] [&amp;_a]:text-primary my-f-1\">Rather than ask why George Romero\u2019s influential zombie classic has been remade twice, it\u2019s better to wonder why it hasn\u2019t been remade more often. Because the distributor left a\u00a0<a href=\"http:\/\/www.ew.com\/article\/2010\/10\/28\/walking-dead-zombies-night-of-the-living-dead\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.ew.com\/article\/2010\/10\/28\/walking-dead-zombies-night-of-the-living-dead\" aria-label=\"copyright symbol - open in a new tab\" data-uw-rm-ext-link=\"\">copyright symbol<\/a>\u00a0off the 1968 original, Romero\u2019s basic premise\u2014the undead chase down a small band of human survivors\u2014can be legally swept up by anyone. Although several independent filmmakers have taken a stab at it, there are only two major theatrical remakes: a 1990 film directed by effects expert Tom Savini, and a 2006 effort titled\u00a0<em>Night of the Living Dead 3D<\/em>. While Savini had\u00a0<a href=\"http:\/\/www.tor.com\/2010\/09\/17\/20th-anniversary-tribute-to-night-of-the-living-dead-1990\/\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.tor.com\/2010\/09\/17\/20th-anniversary-tribute-to-night-of-the-living-dead-1990\/\" aria-label=\"Romero\u2019s blessing - open in a new tab\" data-uw-rm-ext-link=\"\">Romero\u2019s blessing<\/a>, the most recent version didn&#8217;t consult with him. It made just<a href=\"http:\/\/www.boxofficemojo.com\/movies\/?id=nightofthelivingdead3d.htm\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.boxofficemojo.com\/movies\/?id=nightofthelivingdead3d.htm\" aria-label=\"$271,000 - open in a new tab\" data-uw-rm-ext-link=\"\">\u00a0$271,000<\/a>\u00a0in theaters.<\/p>\n<h2 id=\"inline-text-3\" class=\"scroll-mt-24 my-[18px] [&amp;_a]:text-primary my-f-1\">2.\u00a0<em>You\u2019ve Got Mail<\/em>\u00a0(1998)<\/h2>\n<p id=\"inline-text-4\" class=\"my-[18px] [&amp;_a]:text-primary my-f-1\">In the 1990s, Tom Hanks could do no wrong\u2014and neither could Meg Ryan. After coupling in the 1993 hit<a href=\"https:\/\/www.mentalfloss.com\/article\/65469\/15-heartfelt-facts-about-sleepless-seattle\" target=\"_self\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"https:\/\/www.mentalfloss.com\/article\/65469\/15-heartfelt-facts-about-sleepless-seattle\" aria-label=\"Sleepless in Seattle\" data-uw-rm-empty-ctrl=\"\"><em>\u00a0Sleepless in Seattle<\/em><\/a>, they re-teamed for\u00a0<a href=\"https:\/\/www.mentalfloss.com\/article\/78311\/15-fun-facts-about-youve-got-mail\" target=\"_self\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"https:\/\/www.mentalfloss.com\/article\/78311\/15-fun-facts-about-youve-got-mail\" aria-label=\"You've Got Mail\" data-uw-rm-empty-ctrl=\"\"><em>You&#8217;ve Got Mail<\/em><\/a>, which was also a hit\u2014as was the movie that inspired it. Producer Julie Durk had caught a television broadcast of 1940\u2019s<em>\u00a0The Shop Around the Corner<\/em>, which featured Jimmy Stewart sparring with a business rival without realizing they\u2019re exchanging love letters; Warner Bros.\u00a0<a href=\"http:\/\/youvegotmail.warnerbros.com\/cmp\/n3-production.html\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/youvegotmail.warnerbros.com\/cmp\/n3-production.html\" aria-label=\"updated it - open in a new tab\" data-uw-rm-ext-link=\"\">updated it<\/a>\u00a0to reflect the email era. But Durk wasn\u2019t the first to have the idea for a remake. Nearly 40 years prior,\u00a0<em>The Shop Around the Corner<\/em>\u00a0had been\u00a0<a href=\"http:\/\/www.tcm.com\/tcmdb\/title\/2912\/In-the-Good-Old-Summertime\/\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.tcm.com\/tcmdb\/title\/2912\/In-the-Good-Old-Summertime\/\" aria-label=\"remade - open in a new tab\" data-uw-rm-ext-link=\"\">remade<\/a>\u00a0as a musical,\u00a0<em>In the Good Old Summertime<\/em>, starring Judy Garland.\u00a0<em>The New York Times<\/em>\u00a0<a href=\"http:\/\/www.nytimes.com\/movie\/review?res=9B03E5DF1E3EE03BBC4D53DFBE668382659EDE\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.nytimes.com\/movie\/review?res=9B03E5DF1E3EE03BBC4D53DFBE668382659EDE\" aria-label=\"called - open in a new tab\" data-uw-rm-ext-link=\"\">called<\/a>\u00a0Garland\u2019s version \u201cwonderfully rich entertainment,\u201d but later\u00a0<a href=\"http:\/\/www.nytimes.com\/1998\/12\/18\/movies\/film-review-hanks-ryan-romancecom.html\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.nytimes.com\/1998\/12\/18\/movies\/film-review-hanks-ryan-romancecom.html\" aria-label=\"declared - open in a new tab\" data-uw-rm-ext-link=\"\">declared<\/a>\u00a0Hanks had none of Stewart\u2019s \u201clanky grace or leading man patina.\u201d<\/p>\n<h2 id=\"inline-text-5\" class=\"scroll-mt-24 my-[18px] [&amp;_a]:text-primary my-f-1\">3.\u00a0<em>House of Wax<\/em>\u00a0(2005)<\/h2>\n<p id=\"inline-text-6\" class=\"my-[18px] [&amp;_a]:text-primary my-f-1\">Only Chad Michael Murray completists would remember this disappointing horror film about a wax museum that does a good job of preserving everything inside but the young tourists. The movie was a remake of the\u00a0<a href=\"https:\/\/www.mentalfloss.com\/article\/81901\/13-thrilling-facts-about-house-wax\" target=\"_self\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"https:\/\/www.mentalfloss.com\/article\/81901\/13-thrilling-facts-about-house-wax\">1953 version starring Vincent Price<\/a>, which is held in much higher regard: Price\u2019s version took some cues from a 1933 film,\u00a0<em>Mystery of the Wax Museum<\/em>, but added 3D and a novel three-track audio.\u00a0<em>Mystery of the Wax Museum<\/em>\u00a0was filmed using an early version of Technicolor, which needed lights so powerful that they\u00a0<a href=\"http:\/\/www.tcm.com\/tcmdb\/title\/84482\/Mystery-of-the-Wax-Museum\/articles.html\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.tcm.com\/tcmdb\/title\/84482\/Mystery-of-the-Wax-Museum\/articles.html\" aria-label=\"melted - open in a new tab\" data-uw-rm-ext-link=\"\">melted<\/a>\u00a0the wax props and even seared some of the actors\u2019 eyes.<\/p>\n<h2 id=\"inline-text-7\" class=\"scroll-mt-24 my-[18px] [&amp;_a]:text-primary my-f-1\">4.\u00a0<em>Kiss of Death<\/em>\u00a0(1995)<\/h2>\n<p id=\"inline-text-8\" class=\"my-[18px] [&amp;_a]:text-primary my-f-1\">Nicolas Cage turns in one of his typically subtle performances as unhinged gangster Little Junior Brown, leader of a crime ring that entraps reformed criminal Jimmy (David Caruso). The plot was taken from 1947\u2019s\u00a0<em>Kiss of Death<\/em>, long hailed a classic by film noir buffs and\u00a0<a href=\"http:\/\/articles.philly.com\/1995-04-21\/news\/25686515_1_david-caruso-tv-s-nypd-blue-character\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/articles.philly.com\/1995-04-21\/news\/25686515_1_david-caruso-tv-s-nypd-blue-character\" aria-label=\"featuring - open in a new tab\" data-uw-rm-ext-link=\"\">featuring<\/a>\u00a0a classic scene with psychopath Richard Widmark giggling while he pushes an old woman down the stairs. (Trivia note: the stunt person for the woman was Rod Amateau, who later directed 1987\u2019s movie.) 20th Century Fox remade the film as a Western titled\u00a0<em>The Fiend Who Walked the West<\/em>\u00a0in 1958. It\u2019s notable for being one of the\u00a0<a href=\"https:\/\/thedissolve.com\/reviews\/192-the-fiend-who-walked-the-west\/\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"https:\/\/thedissolve.com\/reviews\/192-the-fiend-who-walked-the-west\/\" aria-label=\"last acting roles - open in a new tab\" data-uw-rm-ext-link=\"\">last acting roles<\/a>\u00a0of future producer Robert Evans\u2019 career.<\/p>\n<h2 id=\"inline-text-9\" class=\"scroll-mt-24 my-[18px] [&amp;_a]:text-primary my-f-1\">5.\u00a0<em>Down to Earth<\/em>\u00a0(2001)<\/h2>\n<p id=\"inline-text-10\" class=\"my-[18px] [&amp;_a]:text-primary my-f-1\">Where did co-writers Chris Rock and Louis C.K. get the idea for a comedy about a man who dies young and returns to earth in another body? From Warren Beatty\u2019s 1978 film,\u00a0<em>Heaven Can Wait<\/em>, which\u00a0<a href=\"http:\/\/www.nytimes.com\/2001\/02\/11\/movies\/film-not-to-say-this-is-a-better-movie-than-beatty-s.html\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.nytimes.com\/2001\/02\/11\/movies\/film-not-to-say-this-is-a-better-movie-than-beatty-s.html\" aria-label=\"featured - open in a new tab\" data-uw-rm-ext-link=\"\">featured<\/a>\u00a0Beatty as a pro quarterback instead of Rock\u2019s comedian character. Where did Beatty get the idea? From\u00a0<em>Here Comes Mr. Jordan<\/em>, a 1941 comedy with\u00a0<a href=\"http:\/\/www.tcm.com\/this-month\/article\/60070%7C0\/Here-Comes-Mr-Jordan.html\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.tcm.com\/this-month\/article\/60070%7C0\/Here-Comes-Mr-Jordan.html\" aria-label=\"Robert Montgomery - open in a new tab\" data-uw-rm-ext-link=\"\">Robert Montgomery<\/a>\u00a0as a boxer who gets a chance at delaying the afterlife. While Beatty likely didn\u2019t solicit advice from Montgomery, Rock said he had lunch with Beatty prior to watching\u00a0<em>Heaven Can Wait<\/em>, which he hadn\u2019t yet seen. Beatty, he said, was just \u201cthe guy from\u00a0<em>Dick Tracy<\/em>.\u201d Both\u00a0<a href=\"https:\/\/www.oscars.org\/oscars\/ceremonies\/1979\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"https:\/\/www.oscars.org\/oscars\/ceremonies\/1979\" aria-label=\"Beatty - open in a new tab\" data-uw-rm-ext-link=\"\">Beatty<\/a>\u00a0and Montgomery received Oscar nominations for their performances.<\/p>\n<h2 id=\"inline-text-11\" class=\"scroll-mt-24 my-[18px] [&amp;_a]:text-primary my-f-1\">6.\u00a0<em>The Jazz Singer<\/em>\u00a0(1980)<\/h2>\n<p id=\"inline-text-12\" class=\"my-[18px] [&amp;_a]:text-primary my-f-1\">When Neil Diamond decided he wanted to get into the acting business, a remake of 1927\u2019s\u00a0<em>The Jazz Singer<\/em>\u00a0was considered a viable option\u2014even with one dated and offensive element. The original featured Al Jolson as a would-be cantor who goes against his family\u2019s advice to become an entertainer.\u00a0<a href=\"http:\/\/www.amc.com\/movie\/1927\/The+Jazz+Singer\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.amc.com\/movie\/1927\/The+Jazz+Singer\" aria-label=\"Notable - open in a new tab\" data-uw-rm-ext-link=\"\">Notable<\/a>\u00a0for being Hollywood\u2019s first synchronized film with dialogue and music on the film strip, it also has scenes of Jolson in blackface, a scene Diamond emulated in his own poorly-reviewed film. Before Diamond, the film was remade with Danny Thomas in 1952; Diamond\u2019s version was only modestly successful in theaters, but the soundtrack sold more than\u00a0<a href=\"http:\/\/www.people.com\/people\/archive\/article\/0,,20081836,00.html\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.people.com\/people\/archive\/article\/0,,20081836,00.html\" aria-label=\"four million - open in a new tab\" data-uw-rm-ext-link=\"\">four million<\/a>\u00a0copies.<\/p>\n<h2 id=\"inline-text-13\" class=\"scroll-mt-24 my-[18px] [&amp;_a]:text-primary my-f-1\">7.\u00a0<em>The Postman Always Rings Twice<\/em>\u00a0(1981)<\/h2>\n<p id=\"inline-text-14\" class=\"my-[18px] [&amp;_a]:text-primary my-f-1\">Jack Nicholson\u2019s fated affair with Jessica Lange played out once before with Lana Turner and John Garfield in the leading roles. Sandwiched between that 1946 feature and Nicholson\u2019s remake was a\u00a0<a href=\"https:\/\/books.google.com\/books?id=ixVekSdvQCMC&amp;pg=PA257&amp;lpg=PA257&amp;dq=Roadhouse+Girl+Postman+Always+Rings+Twice&amp;source=bl&amp;ots=pIsyFWfbLR&amp;sig=bBEtOyah6V5eydcVGH5uaX3ZFGA&amp;hl=en&amp;sa=X&amp;ved=0ahUKEwj1qMPq7bzOAhXI1RQKHQhxCYMQ6AEINjAE#v=onepage&amp;q=Roadhouse%20Girl%20Postman%20Always%20Rings%20Twice&amp;f=false\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"https:\/\/books.google.com\/books?id=ixVekSdvQCMC&amp;pg=PA257&amp;lpg=PA257&amp;dq=Roadhouse+Girl+Postman+Always+Rings+Twice&amp;source=bl&amp;ots=pIsyFWfbLR&amp;sig=bBEtOyah6V5eydcVGH5uaX3ZFGA&amp;hl=en&amp;sa=X&amp;ved=0ahUKEwj1qMPq7bzOAhXI1RQKHQhxCYMQ6AEINjAE#v=onepage&amp;q=Roadhouse%20Girl%20Postman%20Always%20Rings%20Twice&amp;f=false\" aria-label=\"lesser-known - open in a new tab\" data-uw-rm-ext-link=\"\">lesser-known<\/a>\u00a0riff, 1953\u2019s\u00a0<em>Roadhouse Girl<\/em>, which was made on the cheap. All three are based on James M. Cain\u2019s pulp novel.<\/p>\n<h2 id=\"inline-text-15\" class=\"scroll-mt-24 my-[18px] [&amp;_a]:text-primary my-f-1\">8.\u00a0<em>The Magnificent Seven<\/em>\u00a0(2016)<\/h2>\n<p id=\"inline-text-16\" class=\"my-[18px] [&amp;_a]:text-primary my-f-1\">Denzel Washington and Ethan Hawke are set to appear in a remake of the 1960 original later this year. But<em>\u00a0The Magnificent Seven<\/em>\u2014about a band of gunfighters hired by a town to protect them from pillagers\u2014didn\u2019t begin life as a Western. The film is an American remake of 1954\u2019s , an Akira Kurosawa epic about a band of samurai in feudal Japan with the same objective. Commenting on the Steve McQueen version, Kurosawa seemed more\u00a0<a href=\"http:\/\/akirakurosawa.info\/2012\/08\/01\/film-club-the-magnificent-seven-sturges-1960\/\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/akirakurosawa.info\/2012\/08\/01\/film-club-the-magnificent-seven-sturges-1960\/\" aria-label=\"puzzled - open in a new tab\" data-uw-rm-ext-link=\"\">puzzled<\/a>\u00a0than flattered. \u201cThe American copy is a disappointment, although entertaining,\u201d he once said. \u201cIt is not a version of\u00a0<em>Seven Samurai<\/em>. I do not know why they call it that.\u201d<\/p>\n<h2 id=\"inline-text-17\" class=\"scroll-mt-24 my-[18px] [&amp;_a]:text-primary my-f-1\">9.\u00a0<em>The Squaw Man<\/em>\u00a0(1931)<\/h2>\n<p id=\"inline-text-18\" class=\"my-[18px] [&amp;_a]:text-primary my-f-1\">Cecil B. DeMille got his start in Hollywood by directing smaller films, including this adaptation of an Edwin Milton Royle stage play about a respected British officer (Warner Baxter) who is blamed for his cousin\u2019s theft of a charity fund. It was\u00a0<a href=\"http:\/\/www.tcm.com\/this-month\/article\/1063%7C0\/The-Squaw-Man.html\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.tcm.com\/this-month\/article\/1063%7C0\/The-Squaw-Man.html\" aria-label=\"previously - open in a new tab\" data-uw-rm-ext-link=\"\">previously<\/a>\u00a0filmed in 1918 as a silent feature, also directed by DeMille; the director had also made the 1914 original. While the 1931 version took advantage of the &#8220;talkie&#8221; era, there was another reason he kept returning to the same tale. \u201cI love this story so much that as long as I live I will make it every 10 years,&#8221;\u00a0DeMille once\u00a0<a href=\"http:\/\/www.tcm.com\/tcmdb\/title\/91199\/The-Squaw-Man\/articles.html\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/www.tcm.com\/tcmdb\/title\/91199\/The-Squaw-Man\/articles.html\" aria-label=\"said - open in a new tab\" data-uw-rm-ext-link=\"\">said<\/a>.<\/p>\n<div class=\"article-content [&amp;_p]:leading-[30px] [&amp;_p]:md:leading-[28px] [&amp;_li]:leading-[30px] [&amp;_li]:md:leading-[28px]\">\n<p id=\"inline-text-19\" class=\"my-[18px] [&amp;_a]:text-primary my-f-1\">It\u2019s believed DeMille is the only director in the history of film to remake his own work on three separate occasions, but he could\u2019ve stopped at one and still made history: The 1914 film is\u00a0<a href=\"http:\/\/americanfilm.afi.com\/issue\/2014\/2\/archives#.V7DopKL3j6g\" target=\"_blank\" rel=\"noopener\" data-uw-rm-brl=\"PR\" data-uw-original-href=\"http:\/\/americanfilm.afi.com\/issue\/2014\/2\/archives#.V7DopKL3j6g\" aria-label=\"considered - open in a new tab\" data-uw-rm-ext-link=\"\">considered<\/a>\u00a0Hollywood\u2019s first full-length feature.<\/p>\n<\/div>\n<div class=\"voltax-recirculation-widget\" data-experiment=\"article-bottom-recirc|control\" data-mm-recirc=\"\">\n<div class=\"rw-widget rw-my-4 renderer-lightning\" role=\"region\" aria-labelledby=\"rw-widget-1767863445506-axftkdqae-title\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>If you\u2019re at the theater this weekend and happen to see the marquee for the Roman epic\u00a0Ben-Hur, you might think studios are dry on ideas. Of course, some theater-goers might have felt the same way in 1959, when the Charlton Heston-starring\u00a0Ben-Hur\u00a0was released: That \u201coriginal\u201d was a remake of a 1925 silent film,\u00a0Ben-Hur: A Tale of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":405,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-404","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stars"],"_links":{"self":[{"href":"https:\/\/newsliked.online\/index.php?rest_route=\/wp\/v2\/posts\/404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsliked.online\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsliked.online\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsliked.online\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newsliked.online\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=404"}],"version-history":[{"count":1,"href":"https:\/\/newsliked.online\/index.php?rest_route=\/wp\/v2\/posts\/404\/revisions"}],"predecessor-version":[{"id":406,"href":"https:\/\/newsliked.online\/index.php?rest_route=\/wp\/v2\/posts\/404\/revisions\/406"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsliked.online\/index.php?rest_route=\/wp\/v2\/media\/405"}],"wp:attachment":[{"href":"https:\/\/newsliked.online\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsliked.online\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=404"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsliked.online\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}